$20.98. There is no question about his conducting abilities: he has exceptionally clear baton technique that allows him to articulate whatever decisions he has made about the music. 3 In E-flat Major, Op. Notice how the triplet from the previous section is integrated in this one. Now you can book an online lesson and we can fix it! An idea derived from the second movement and introduced by the clarinets and violas interrupts and intersects the syncopated rhythms: This very same idea keeps growing and getting slightly transformed, adding more drama to the music by layering a contrasting texture: until it fully takes over the accompaniment while the chorale returns, leading towards the end of the movement. Schumann’s symphony n.3 consists of 5 movements, departing from the usual four, quite an unusual choice for the time; but then again Beethoven (with his sixth symphony in this case) was omnipresent in Schumann’s mind. I haven't listened to it in ages, so I pulled it out today and was happy that it has held up better than many other Toscanini recordings when compared to my memory of those recordings. It was originally titled “Morning on the Rhine“, a reference that Schumann himself took out. , but was imposed by his publisher, as it so often happened in the 19th century. This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages. that in a somber, austere contrapuntal style darken, along with the french horns – and later the clarinets – the whole picture. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Mr. Griglio took part in the first world recording of music by composer Irwin Bazelon and conducted several world premieres like "The song of Eddie", by Harold Farberman, a candidate for the Pulitzer Prize. 3 in E flat major, Op. View credits, reviews, tracks and shop for the 1970 Vinyl release of Schumann Symphony No. His scoring can be quite dense, and even more so than Brahms at times, and his cyclical ideas can be lost in the vast complexity of his symphonies as a whole. gets into the fabric of the movement, interlaced by the second idea and the flowing movements of the opening now handed to the cello solo, and subsequently leading back to the first theme. If you disable this cookie, we will not be able to save your preferences. Brown, members of the audience applauded between every movement, and especially at the end of the work when the orchestra joined them in congratulating Schumann by shouting “hurrah!“. In order they are tracks 7: "Euryanthe"; 8: "Der Freischutz"; and 9: "Oberon". Pfeiffer was an electrical engineer as well as a music producer, so he understood just what could be achieved with the new medium and the NBC Symphony. Note: the title of the symphony, “Rhenish”, is not original, but was imposed by his publisher, as it so often happened in the 19th century. You can find out more about which cookies we are using or switch them off in settings. 97, is so called … And yet, Schumann manages to create something new: new colors, new orchestration, new conception of the overall structure. One of the most popular standalone pieces from De Falla’s ballet El amor brujo. Moving on, the theme Schumann repeats the theme again, this time with the horns taking the lead. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The following Scherzo, taking up on Beethoven’s 9th symphony which broke the pattern of a slow movement following the opening movement, is again centered around the perfect fourth interval. 97 "Renish"/Overture to Goethe's "Faust" on Discogs. The first movement begins spontaneously and exuberantly with the familiar main theme in the full orchestral tutti. The second album in Sir John Eliot Gardiner's Schumann series with the London Symphony Orchestra travels from glorious fanfare to dream-like passages with the lively Spring and Rhenish symphonies. Symphony No. 10 chapters, 11 videos, practical exercises, and examples with scores: this video course produced for iClassical-Academy will show you, through a bar-by-bar analysis of excerpts ranging from Mozart to Mahler and Copland, how to build your own technique in the most logical and effective way. Please enable Strictly Necessary Cookies first so that we can save your preferences! The movement ends in Eb minor with 3 bars in forte piano: the gash of the beginning is not there anymore, despair has left room only for annihilation. And then it becomes the generating cell for this great moment leading to the recapitulation: the horns blast out in a forte marcato dynamic while the strings play tremolo in pianissimo. Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings. The central part of the symphony is a lovely intermezzo, almost an island, splitting the two two-movements blocks that create the head and the tail of the symphony. The shadows do not last long however and the urgency intrinsic to the first theme rapidly bursts in lead by a trumpet call. By the way, the story that Schumann was inspired for this movement while attending the investiture of a cardinal in the Cathedral of Cologne is just a story. A must-have album, despite the poor sound edition! In September 1850, Robert Schumann, his wife Clara, and their seven children moved to Düsseldorf, where the composer had accepted a position as the city’s Music Director. The heroic vision of Arturo Toscanini conferred to Schumann `s Third Symphony an incandescent gaze, and somehow making of this lovable and majestic Symphony, a sort of personal Epic Pastoral. The call from the horns, bassoons, and violas, a toned-down echo of the first movement, leads to a peaceful end. 97 (the "Rhenish"). I bought this CD many years ago because of the Weber Overtures. 120 (first composed in 1841; revised in 1851) This CD is the third volume of a three-volume compilation of Schumann's symphonies produced by Sir Neville Marriner and the Radio-Sinfonieorchester Stuttgart. Built on a succession of fourth, it’s written in Eb minor, a key particularly close to the composer (see Manfred for example). It’s not a fast paced movement: based on a ländler (a dance popular in Austria and southern Germany), it lightens up the fights of the previous movement, but it retains a certain weight, as the tempo marking suggests (Sehr mässig). The first movement is vibrant and carries a sense of grandeur and a somewhat optimistic approach to life. In this post, discover Schumann’s sunny Symphony No. 3. Excerpt 2 Excerpt 2 – I. Lebhaft ms. 357-394 (9 before L – 8 before M) Horn 1 in E-flat. Three years later he was interned in a mental institution where he died in 1856 with his wife Clara at his bedside. Last updated Aug 31, 2020 | Published on Sep 26, 2015, It’s not a fast paced movement: based on a, Significantly, the interval of fourth comes back only towards the end, hidden in the horn line, in reverse compared to the opening theme of the first movement (. The horns and trumpet take the lead again and the opening heroic character closes the movement. Almost the entire symphony is built on the interval of fourth, which also constitutes the germ of the opening theme: descending fourth, ascending sixth, ascending fourth; and then again: descending fourth, descending fourth, ascending fifth, descending fourth. 1800 to ca. I recently attended a concert of my local professional orchestra playing Schumann's third symphony. The wonderful themes of an opera taking place in Spain but written for the St.Petersburg theater condensed in this standalone symphonic masterpiece which is the Sinfonia from Giuseppe Verdi’s La Forza del Destino. 1930: Germany and the Nordic Countries (Bloomington,IN: Indiana University Press, 2007), 291. This website uses cookies so that we can provide you with the best user experience possible. This is one of the most emotive and refulgent performances ever recorded, an authentic treasure that explains and answers by itself for the musical newcomers, who have not been familiarized around the febrile transcendence of the volcanic outburst performances of the Maestro, who shone with radiant intensity in this album. The first theme reappears one more time and the piece ends with the same perfect fourth with which it started. 3 is full of seductive melodies and imaginative orchestral harmonies in the spirit of Schumann and Mendelssohn. The Symphony in E flat, though numbered the Third, was the Fourth in order to composition, and is familiarly known as "The Rhenish," the title being derived from the impressions of life in the Rhineland made upon the composer. Last updated Dec 14, 2020 | Published on Dec 24, 2020. The best Schumann recordings of the last five years Gramophone Friday, January 15, 2016 Each of the recordings in this list was a Gramophone Editor's Choice – they are all ideal points of departure for an exploration of Schumann's sound world In succeeding years, he would round out his symphonic output with the somewhat traditional and formal 1845 Symphony # 2 in C Major, Op. Woodwinds and brass climax with a fanfare-like moment, to which the strings answer in pianissimo. There's a problem loading this menu right now. It is not entirely hard to imagine why. Although, as explained in the message Robert Schumann: Symphony No.4, D minor, Op.120 it was the fourth of his Symphonies, it is known as Number III. Pass the baton - The art of conducting technique. turning into a playful game between winds and strings. A new episode every week! This means that every time you visit this website you will need to enable or disable cookies again. 1800 to ca. All works are also listed separately, by opus number.Schumann wrote almost exclusively for the piano until 1840, when he burst into song composition … Ludvig Norman’s Symphony No. After the quite extensive development, the first idea comes back, in a different form this time: Schumann drops the “dolce” marking and the strings are playing in tremolo. Notice that there are no staccato markings in this part: The second idea of this first theme bears the actual staccato markings, offering a very joyful moment: The interval of fourth is there again as well and a lot of ideas are shared from the previous movement, though reworked and approached with a completely different mood, much like Mahler will do in the last two movements of his fifth symphony. It also analyzes reviews to verify trustworthiness. The symphony premiered on February 6th, 1851 in Düsseldorf, conducted by Schumann himself, and was received with mixed reviews, “ranging from praise without qualification to bewilderment“. 3 (Schumann) From Wikipedia, the free encyclopedia The Symphony No. Winner of a fellowship at the Bayreuther Festspiele, Mr. Griglio’s conducting has been praised for his “energy” and “fine details”. It begins with a forte dynamic but Schumann writes “dolce” next to it, the Italian word for sweet, in this case meaning something like “not aggressive”. Around the time he was in Düsseldorf for his new conducting position, Schumann gave birth to one of his most popular works. It’s a delicate miniature, much like some of his solo piano works. The engineer was new to his job: Lewis Layton. Symphony No.3 (‘ Rhenish’) Symphony No 3 (‘Rhenish’) is one of Schumann’s last great masterpieces. And then the tragic theme from the fourth movement reappears, only to get swept away by the heroic and optimistic ending. The last movement, as a perfect counterpart, leaves the depressed atmospheres for a more cheerful and upbeat dance. Audio Files. A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. It premiered on February 6, 1851 in Düsseldorf, and Schumann conducted the piece, which received some mixed reviews. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Despite it being a merry dance in C major, I never thought of this movement as light-hearted: rather, it gives me idea of the hero from the previous movement resting before another fight, the thoughts of what’s to come pressing in the back of his mind. This corner is dedicated to pieces of music that are rarely performed and yet do not really deserve to be forgotten. 3 ‘Rhenish’ Instrumentation Strings, 2 flutes, 2 oboes, 2 bassoons, 4 horns, 2 trumpets, 3 trombones (alto, tenor & bass), timpani Movements I: Lebhaft (Eb) II: Scherzo: Sehr mäßig (C) III: Nicht schnell (Ab) IV: Feierlich (Ebm) V: Lebhaft (Eb) Overview This is the last symphony that Schumann completed… 4 in D minor, op. Full-length concert: http://www.digitalconcerthall.com/concert/3801/?a=youtube&c=trueRobert Schumann: Symphony No. The theme ends with this small coda, which will be reused later on in the movement. https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov1_sample1.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov1_sample2.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov2_sample1.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov2_sample2.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov2_sample3.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov3_sample1.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov3_sample2.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov3_sample3.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov4_sample1.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov4_sample2.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov4_sample3.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov5_sample1.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov5_sample2.mp3, https://www.gianmariagriglio.it/wp-content/uploads/2015/09/Schumann_symph3_mov5_sample3.mp3, The European Symphony from ca. It’s a much more dynamic take: Taking another page out of Beethoven’s book, Schumann develops a fantastic coda: it starts with a brass fanfare, to which the strings respond, and then join in. The fourth movement is the most tragic Schumann. The first theme is clearly conceived for an orchestral canvas and apt to a large symphonic painting: it keeps going, flowing in and out of rhythmic ambiguities, which make the music sound sometimes in 3, sometimes in 2, all within a 4-bar phrase structure. This is a typical sonata form by the way: a first theme followed by a second contrasting theme, forming the big blocks of the exposition; then comes the development section. $53.97. Unsure on how to approach a passage? 3 “Rheinische” November 19, 2020November 19, 2020renegade1 Comment This was the last symphony composed by Robert Schumann. * Symphony No. Baltimore Symphony Orchestra, David Zinman There was an error retrieving your Wish Lists. Quite a common and obvious fact: every composer of the 1800s measured himself up to Beethoven when it came to symphonic music, from Schubert to Schumann to Brahms to Mahler. Carl Schuricht Schumann Symphony No.3 "Rhenish" SACD Hybrid TOWER RECORDS 2016. What Schumann does though, is to use the material in constantly evolving ways: the first theme morphs from heroic into a darker mood, and it’s at times used simply as a connecting tissue. This symphony was published as his third symphony but it was, in fact, written after his fourth symphony. Significantly, the interval of fourth comes back only towards the end, hidden in the horn line, in reverse compared to the opening theme of the first movement (Bb-Eb opposed to Eb-Bb). The Royal Stockholm Philharmonic Orchestra plays under the baton of Chief Conductor Sakari Oramo. Less heroic and more melancholic is the second theme, which, again, starts with an interval of descending fourth, first introduced by the woodwinds, then the strings. Liked it? 5. Andante. shipping: + $7.00 shipping . The recording macines of the day were fondly referred to as "Tinker Toys", because the they were small and the reels not very large either. Last updated Dec 22, 2020 | Published on Dec 31, 2020. You can adjust all of your cookie settings by navigating the tabs on the left-hand side. Its possible as well that two machines ran in tandem and after 6 minutes or so machine two took up the recording and then the two tapes were spliced together to give us what we have here. This symphony was published as his third symphony but it was, in fact, written after his fourth symphony. Modern concertgoers can sometimes find the symphonies of Robert Schumann a bit difficult to digest. Last updated Dec 24, 2020 | Published on Jan 7, 2021. A series of articles on conducting technique: how to practice conducting, body placement, breaking patterns, and more, A course in 11 chapters created especially for iClassical-Academy, Get some 1-on-1 time to solve a technical problem, for visual score study and rehearsal technique, Music manuscripts, conducting scores with notes, books, and orchestra rehearsal broadcasts. Schumann’s symphony n.3 consists of 5 movements, departing from the usual four, quite an unusual choice for the time; but then again Beethoven (with his sixth symphony in this case) was omnipresent in Schumann’s mind. Gianmaria Griglio is an intelligent, exceptional musician. Nicknamed the “Rhenish” Symphony, it was composed while Schumann was living near the scenic Rhine River. Orchestration: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, and strings First Los Angeles Philharmonic performance: August 13, 1926, Eugene Goossens conducting. 97 "Rhenish" Artist(s): George Szell conducting The Cleveland Orchestra Recording Info: Recorded by Columbia October 21, 1960 at Severance Hall Executive Producer -Thomas Frost Producer - Howard Scott. Principal Conductor of International Opera Theater Philadelphia for four years, Mr.Griglio is also active as a composer. After the trio, the passionate rush of the first movement is back once again for a few bars. Mr. Griglio is presently working on an opera on Caravaggio and Music Director of Opera Odyssey. Reviewed in the United States on March 13, 2006. Hello, all. Why so good? Being in Eb major with a beginning in ¾ , the symphony immediately calls for a comparison with the titan of music. The conductor recorded the Schumann Second Symphony, but not (to my knowledge) the First, so a complete Celi cycle on disc cannot exist. About this Piece. Dwarves - Are Younger And Even Better Looking [New CD] Digipack Packaging. 61 and the ceremonial 1850 Symphony # 3 in E flat, Op. [1]. 4 Manfred Overture (Essential Classics) - Amazon.com Music The sound for 1951/2 mono is excellet and for Toscanini recordings its top of the line. Schumann especially expanded the use of timpani in the symphony, using the unusual tuning of B ♭, G ♭, and F in the first movement, and D, A, and F in the third, at the suggestion of Schumann's cousin-in … Robert Schumann – Symphony No. Horn 2 in E-flat. This list of compositions by Robert Schumann is classified into piano, vocal, choral, orchestral and chamber works. The heroic vision of Arturo Toscanini conferred to Schumann `s Third Symphony an incandescent gaze, and somehow making of this lovable and majestic Symphony, a sort of personal Epic Pastoral. Keeping this cookie enabled helps us to improve our website. John Pfeiffer saw to it that the Weber Overtures were all recorded on the new magnetic tape medium and while Mohr is credited as the producer it was Pfeiffer who was in charge of all things that were recorded to tape. +1-917-587-1698 – New York City +49-174-30 96 581 – Germany, office@stephensnicolson.com conductor@gianmariagriglio.it, Creative Commons License | Affiliate links | Privacy policy and Cookie settings | Copyright © Gianmaria Griglio 2020. Unable to add item to List. There are only 3 basic musical ideas in this movement but the way Schumann combines them and transforms them is magical! Schumann, on the other hand, took the bull by the horns and wrote his symphony in roughly 5 weeks, between November and December 1850. A scherzo, a movement, and a brilliant finale. At that time Toscanini was not going to stop so tape could be changed! 1930, Verdi – La forza del destino Ouverture [analysis], Dvořák – Serenade for strings [analysis] – PART 2: movements 3, 4, and 5. The violas flow lightly under the clarinets and bassoons for the first phrase. Take a second to support Gianmaria Griglio on Patreon! In doubt about a technical issue? Free shipping . Your recently viewed items and featured recommendations, Select the department you want to search in. We are using cookies to give you the best experience on our website. 3 … Ideas flow in Schumann’s mind and a small scale – which by the way is kicked off by a perfect fourth interval again – is used first on its own: and then as counterpoint to the main theme: A chorale, played by the woodwinds and the horns, combined with the short notes motive, form the idea for the trio. Allegro finale. Title: Schumann Symphony No. And yet, Schumann manages to create something new: new colors, new orchestration, new conception of the overall structure. Schumann himself conducted the premiere in 1851. And here’s the full symphony with L.Bernstein and the Wiener Philharmoniker, [1]  A. Peter Brown, The European Symphony from ca. The entire movement is a development of the first two bars and it showcases Schumann’s abilities as an orchestrator: nearly every bar has something different, a color, a marking that show how unique he was. Robert Schumann, Rafael Kubelik, Orchester des Bayerischen Rundfunks - Schumann: Symphonies No. Please try again. From the very dramatic, intense beginning of the symphony, it is clear that Toscanini employed an "inner vision," as one musician described it. Being a Horn player, I was of course in awe of the first movement, with lots of loud Horns scattered throughout it. after which a chromatic idea of 5 notes, played by the violins, takes over. Until Richard Mohr came along as the main producer for RCA Red Seal in 1949, Layton had been a radio broadcast engineer. I imagine that they just managed to get the 8-10 minutes each of the overtures require to fit on a single reel. 3. Marina Frolova-Walker recommends recordings of Schumann's 3rd symphony "Rhenish" 3 in E flat, "Rhenish", op. 3 in E-flat major, Op.97, also known as the Rhenish, is the last symphonycomposed by Robert Schumann(1810–1856), although not the last published. 3 Rhenish / No. However, according to Peter A. Reviewed in the United States on June 5, 2006. Schumann 's "Rhenish" Symphony, the Symphony No. 1850 Robert Schumann Symphony No. Looking for a group to share your passion for conducting and learn something new? Some, like Brahms and Schubert, often second-guessed themselves: Brahms took some 17 years to write his first symphony. 3 in E flat major “Rhenish” The “Rhenish” is the only one of Schumann’s symphonies that dispenses with an introductory motto theme. His first opera, Camille Claudel, debuted in 2013 to a great success of audience and critics. These overtures were recorded in Carnegie Hall. The third idea, an open scale going downwards and upwards, played by the violas and the bassoons. Schumann - Symphony No. Schumann: Symphony No. Cookie information is stored in your browser and performs functions such as recognizing you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. The movement ends with quite an extensive coda, marked by contrasting moments, especially on the dynamic level. 3 “Rhenish” Robert and Clara Schumann arrived in the Rhineland city of Dusseldorf on 2 September 1850. Next to her was another music giant, Johannes Brahms. 97 (composed in 1850) * Symphony No. From the dramatic first trumpet-call which awakens the frozen landscape, the First Symphony is a … Symphony No. Schumann's last Symphony, in Eb major, Op.97, was written in the later months of 1850, and first performed at Dusseldorf in February, 1851. Norman Symphony No. Arturo Toscanini's 1949 broadcast performance of Robert Schumann's "Rhenish" symphony (in NBC Studio 8-H) is a classic example of the kind of excitement that the Maestro brought to his concerts. Reviewed in the United States on June 7, 2014. 4. $11.55. 3 in E flat, Op. Lento. There is deep involvement in the music and, as so often happened, the microphones picked up Toscanini humming at times. Join me on Facebook! Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. A gash from the sforzato chord of the strings opens the door to the trombones. Please try again. 3. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Popular pages four years, Mr.Griglio is also active as a perfect counterpart, the. And critics, bassoons, and Schumann conducted the piece, which will be reused on! His first Opera, Camille Claudel, debuted in 2013 to a peaceful.... At his bedside came along as the main producer for RCA Red Seal in 1949, Layton been. The spirit of Schumann and Mendelssohn optimistic approach to life bought this CD many years because! Can book an online lesson and we can fix it way Schumann combines schumann symphony 3 and transforms them magical... Perfect counterpart, leaves the depressed atmospheres for a more cheerful and upbeat dance something. Your cookie settings strings opens the door to the trombones heroic character closes the movement ends with this small,... Fourth with which it started here to find an easy way to navigate back to you! 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Uses Google Analytics to collect anonymous information such as the number of visitors the... Website you will need to enable or disable cookies again schumann symphony 3 Schumann previous section integrated., this time with the familiar main theme in the movement ends with same... Is full of seductive melodies and imaginative orchestral harmonies in the full orchestral.. First Symphony performed and yet do not really deserve to be forgotten performed and yet do not last long and! In: Indiana University Press, 2007 ), 291 switch them off in settings flat. A somewhat optimistic approach to life in 1949, Layton had been a radio engineer! Not be able to save your preferences for cookie settings a delicate miniature, much like some of his popular. For his new conducting position, Schumann manages to create something new: new colors, conception... A single reel 3 basic musical ideas in this post, discover Schumann ’ s ballet El amor brujo engineer! Can save your preferences Symphony Orchestra, David Zinman Hello, all manages create... ( 9 before L – 8 before M ) Horn 1 in E-flat is back once again for a with... First so that we can save your preferences going downwards and upwards, played by the violins, over! Because of the first movement is vibrant and carries a sense of grandeur a! Schumann himself took out, our system considers things like how recent a review is if. Moment, to which the strings answer in pianissimo the lead dramatic first trumpet-call awakens... Free encyclopedia the Symphony No the last Symphony composed by Robert Schumann a bit to. Layton had been a radio broadcast engineer principal Conductor of International Opera Theater Philadelphia for four years, Mr.Griglio also... Opera on Caravaggio and music Director of Opera Odyssey or switch them off in.... Dec 31, 2020 Seal in 1949, Layton had been a radio broadcast.... Along with the horns taking the lead members enjoy free Delivery and exclusive access to,. Reappears one more time and the bassoons a reference that Schumann himself took out a... He was in Düsseldorf, and Kindle books “ Rheinische ” November,... 2 September 1850 strings answer in pianissimo a sense of grandeur and a somewhat optimistic approach to.!, Schumann manages to create something new: new colors, new,. Played by the violas and the Nordic Countries ( Bloomington, in: Indiana University Press, 2007 ) 291!, Schumann manages to create something new: new colors, new conception of the Overtures...